PERFORMANCE (I)

Design for a theater set created by Giacomo Torelli da Fano for the ballet ‘Les Noces de Thétis’, from ‘Décorations et machines aprestées aux nopces de Tétis, Ballet Royal’, 1654 _METROPOLITAN MUSEUM OF ART/PUBLIC DOMAIN

A meeting of the interdisciplinary Early Modern reading group: Writing Technology/the technology of writing

24 April 2019

St John’s College, 10am-1pm

Convenors:
Jennifer Oliver, St John’s and Marie-Thébaud-Sorger, MFO
with Frederique Ait Touati, CNRS/CRAL

This meeting will fully inaugurate our ‘Performance’ theme, with our guest speaker, Frédérique Aït-Touati (CNRS/CRAL, Paris), presenting work from her current project on seventeenth-century ‘theatres of the earth’: the presentation will focus on the links between scenography and machine-plays, Descartes’s Météores (Meteorology), and his concept of the res extensa.

10am: Main presentation and discussion on Descartes’s Météores (Meteorology)

12 noon: Presentation of Frédérique Aït-Touati’s newly released book, Terra Forma, manuel de cartographies potentielles:

http://s-o-c.fr/index.php/object/terraforma/

 

 

Hands & Performance ‘Gestures of writing: hands and minds’

11 March 2019

11am-3pm, Maison Française d’Oxford

Making, writing, pointing, demonstrating, feeling, representing… hands work hard in early modern texts. This workshop, one in a series of interdisciplinary sessions, will consider the intersecting uses and meanings of hands in different writerly contexts. From ‘writing as reaching’ in Renaissance poetry to the pragmatics and material history of scientific and technical textual composition in the Enlightenment, we will continue to explore the language and imagery of grasping, handling, and manipulating in the early modern period. 

Programme:

11am: Welcome 

11.10: Matthew Landrus, (Wolfson College and History Faculty, Oxford):

‘Hands in the Abu Dhabi Salvator Mundi

11.40: Olivia Tolley (St Catherine’s College and Modern Languages Faculty, Oxford): ‘Grasping in the dark: writing as reaching in Scève’s Délie (1544)’

12.20: John Christie (History Faculty, Oxford):

‘Performance and gesture in the poetry of Anna Letitia Barbauld’

1pm:    Lunch

1.40:    Marie Thebaud-Sorger (CNRS, Paris, and Maison Française d’Oxford):

‘“Smart hands”: a brief historiographical outline’  ( C. Jacob, éd. Lieux de savoirs 2. Les mains de l’intellect)

2.20:    Rachel Hindmarsh (Trinity College and Modern Languages Faculty, Oxford):

“Groping hands, curing hands in Rabelais’s Gargantua and Pantagruel

3pm  discussion future direction of the workshop

 

Viktoria von Hoffman

Research Associate from the Belgian Fund for Scientific Research (F.R.S.-FNRS), affiliated to the University of Liège.

Viktoria’s  research interests cover the social and cultural history of the lower senses (taste and touch) in early modern Europe. She has published extensively on the history of taste, including two monographs on taste (Goûter le monde. Une histoire culturelle du goût à l’époque moderne, 2013, and From Gluttony to Enlightenment. The World of Taste in Early Modern Europe, 2016) and one co-edited volume on disgust (Le Dégoût, Histoire, langage, esthétique et politique d’une émotion plurielle, with M. Delville and A. Norris, 2015). She is now engaged in a new project that explores the history of touch through the lens of Italian Renaissance anatomy.


Her current research aims to uncover the rich variety of discourses and practices involving touch as an instrument to produce knowledge about the body in early modern medicine. Using a varied collection of theoretical medical texts, along with printed and archival documents more closely linked to the day to day uses of touch in healing practices – such as records of autopsies and dissections, observations for diagnosis, diaries, letters, and notebooks kept by medical students – The Anatomy of Touch examines the ways in which the sense of touch was theorized in the past, as well as the part played by haptic experience and technologies of touch in the early modern study of nature.

Marie Thebaud-Sorger

Visiting Researcher at the Maison Française d’Oxford

Marie is Associate Professor (Research) at the French National Centre for Scientific Research (CNRS), based in Paris at the ‘Centre for the History of Science and Technology–Alexandre Koyré’ at the EHESS (School for Advanced Studies in the Social Sciences). From September 2017, she has been overseeing the History and History of Science & Technology Programme at the Maison Française d’Oxford, where she intends to foster interdisciplinary exchanges and cross-cutting approaches, especially promoting a material approach to the sciences, focusing on sites of knowledge and the articulations between intellectual and material practices.

Marie is a cultural historian of technology. Her current research project, ‘Economies of improvement. Public sphere, micro-invention and industrial Enlightenment’ is grounded in a comparative study of inventive practices in Europe throughout the 18th century. She is particularly interested in the staging of technical inventions in various social settings and media: prints, drawing, projects, models, scientific tests and experiments, demonstrations, and performances. Before completing her PhD, she received a diploma in theatrical set design (ENSATT) and gained some background in theatre practice, set design, and stage direction. This drew her attention in her early academic research to the staging of early modern urban flight, (‘scénographie de l’envol’) in Ballooning in the Age of Enlightenment (her first monograph, L’aérostation au temps des Lumières, 2009, received the Académie française Louis Casteix Prize in 2010), as well to amateur appropriative practices that contributed to the building-up of a collective knowledge and understanding of invention (using periodicals, ephemera, how-to leaflets, treatises etc.).

Focusing on the socio-materiality of technical devices in the 18th century, she has been exploring the nature of ‘air’ and gases, pursuing more broadly a reflexion on the perception of the natural elements in the context of the beginnings of industrialisation, where European societies underwent profound changes. This shift affected their environment and their pursuit of the mastery of the nature, where performative techniques were seen as a mean to achieve impossible actions (transforming the toxic atmosphere into breathable air, mastering fire and heat, illuminating the night, overcoming gravity…)

Therefore she has been following a research path directed towards materialities and mediations, trying to articulate a material history of knowledge with the history of material knowledge, at the crossroads of technical and chemical operations. Beyond the working group initiated with Jenny Oliver, Writing technology/The technology of writing, in phase with new historiographical inputs –such as the ‘mindful hand’, artisanal epistemology and an approach to technical writings as a means to reduce arts and practices into theory since the early modern period – her research has also included critical reflections on methodologies, using material objects as well as restaging, re-enactments, and digital reconstructions, as various means to gain new understandings of historic knowledge production. She led a collective working group in Paris in 2015-2017 (Ateliers Campus Condorcet Grant): ‘La reconstitution – processus heuristique et/ou objet de médiation ?’ and, following a study day held in April 2018 in Oxford entitled ‘Performing and Knowing. Experimental and Sensory Approaches’, is convening a new seminar series with Charlotte Bigg and Rafael Mandressi at the EHESS: “Performance et savoirs : lectures, relectures, perspectives critiques.

 

 

Jennifer Oliver

Departmental Lecturer in French, Worcester College, Oxford

jennifer.oliver@worc.ox.ac.uk

My research is centred on sixteenth-century French literature, culture, and thought. My first book, Shipwreck in French Renaissance Writing: The Direful Spectacle (Oxford University Press, 2019) examines the importance of narratives of shipwreck in the period, reading fictional and allegorical ‘naufrages’ alongside the eyewitness accounts of travel writers in order to explore the relationship between the material and the metaphorical.

My new project is concerned with how French writers of the sixteenth century (including Rabelais, Ronsard, Montaigne, and Agrippa d’Aubigné) contemplated the connections and tensions between poetics, technology, and the natural environment. A first article on the subject, ‘Rabelais’s Engins: War Machines, Analogy, and the Anxiety of Invention in the Quart Livre’, was published in Early Modern French Studies (December 2016),  and more recently a chapter on the ‘dark ecology’ of poetry of the French civil wars appeared in Early Modern Écologies, eds. Pauline Goul and Phillip John Usher (University of Amsterdam Press, 2020).

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